® |
Treble |
|
6-1-25 | | 30¾" |
E♭ |
1847 |
Charles & George Mears, Whitechapel |
Removed |
|
® |
2 |
|
6-3-27 | | 31¾" |
D |
1847 |
Charles & George Mears, Whitechapel |
Removed |
|
® |
3 |
|
7-0-25 | | 32¾" |
C |
1734 |
Richard Phelps, Whitechapel |
Removed |
|
® |
4 |
|
8-1-8 | 8-3-0 | 35" |
B♭ |
1877 |
Mears & Stainbank, Whitechapel |
Removed |
|
® |
5 |
|
9-2-14 | | 38¼" |
A♭ |
1904 |
Mears & Stainbank, Whitechapel |
Removed |
|
® |
6 |
|
11-1-10 | | 40" |
G |
1617 |
Joseph Hatch, Ulcombe, Kent |
Conventional |
|
® |
7 |
|
15-1-17 | | 42½" |
F |
1847 |
Charles & George Mears, Whitechapel |
Removed |
|
® |
Tenor |
|
23-0-19 | | 51" |
E♭ |
1824 |
Thomas Mears II |
Removed |
|
|
Sanctus |
|
1 cwt approx. | | 18" |
|
1700 |
Unknown |
|
|
|
1596 |
or 97 |
A bell was cast by Anthony Wakefield. There are records of 2 bells being cast at this time. |
|
1612 |
|
4th (of 5) cast by Joseph Hatch. |
|
1615 |
|
2nd (of 5) cast by Joseph Hatch. |
|
1617 |
|
3rd (present 6th) and tenor (of 5) cast by Joseph Hatch. |
|
1622 |
|
A bell was cast. |
|
1633 |
|
Treble (of 5; present 4th) cast by John Wilnar. |
c |
1700 |
|
Sanctus bell cast. |
|
1734 |
|
Treble added to make 6, by Richard Phelps. |
|
1824 |
|
Tenor recast by Thomas Mears. |
|
1847 |
|
2 trebles added to make 8 and 7th recast by Charles & George Mears. |
|
1877 |
|
4th (of 8) was recast by Mears & Stainbank. |
|
1904 |
|
5th recast and bells rehung in a new frame by Mears & Stainbank. |
|
1913 |
|
The local band split into 2 groups, one favouring methods and the favouring call changes. The call change contingent resigned while the method contingent went on to quickly master Grandsire Triples. This highlighted the need to rehang the tenor, which Mears & Stainbank did. [1] |
|
1965 |
|
Bells rehung by Mears & Stainbank. |