® |
Treble |
|
5-3-21 | 30½" |
E♭ |
1837 |
Thomas Mears II, Whitechapel |
Removed |
|
® |
2 |
|
6-1-2 | 31" |
D |
1837 |
Thomas Mears II, Whitechapel |
Removed |
|
® |
3 |
|
7-1-10 | 34" |
C |
1837 |
Thomas Mears II, Whitechapel |
Removed |
|
® |
4 |
|
7-1-26 | 36" |
B♭ |
1837 |
Thomas Mears II, Whitechapel |
Removed |
|
® |
5 |
|
9-2-3 | 38.5" |
A♭ |
1837 |
Thomas Mears II, Whitechapel |
Removed |
|
® |
6 |
|
11-1-0 | 41" |
G |
1837 |
Thomas Mears II, Whitechapel |
Removed |
|
® |
7 |
|
15-2-15 | 45" |
F |
1837 |
Thomas Mears II, Whitechapel |
Removed |
|
® |
Tenor |
|
23-0-17 | 48" |
E♭ |
1892 |
John Taylor & Co., Loughborough |
Flat |
|
|
1722 |
|
Tenor cast. |
|
1837 |
|
Front 7 bells added or recast by Thomas Mears. |
|
1858 |
|
Tenor recast by George Mears. |
|
1892 |
|
Tenor recast and bells rehung in a new frame by John Taylor, as gift by Mary Selina Griffith. |
|
1913 |
|
Tenor rehung by John Taylor. |
|
1936 |
|
Gillett & Johnston quoted £265 for rehanging the bells with new metal headstocks, plus new fittings and one eighth turning. |
|
1937 |
|
Mears & Stainbank quoted £126.7.0 for new gudgeons & bearings, but no tuning, and complained about the state of the installation, with grease from the bearings all over the place; it was "impossible to go among the bells without getting extremely dirty". |
|
1948 |
|
Gillett & Johnston updated their 1936 quote to include cast iron headstocks, turning and tuning, to £595. Mears quoted £244 for much the same work as they had in 1937, specifically saying that no tuning was required. In August the Mears quote was accepted, although there appear to be problems getting the work done. The work was the gift of Mr and Mrs R. A. Vestey. |
|
1949 |
May |
There was a letter from Westerham stating, "... we would therefore urge you to do everything possible to start work and complete it in good time before 2 October [Dedication Festival]". |
|
1971 |
|
Bells rehung by Whitechapel, this time using new headstocks. |