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BRENCHLEY, All Saints

8 bells
Tenor 17-3-24 in E
Grid Ref. TQ680417
Tonbridge District
Frame: 1924 John Taylor
Retuning: 1924 John Taylor
Upstairs Ringing Room
PEALS

DETAILS OF THE BELLS

Bell Weight
(1924 before tuning)
Weight
(1924 after tuning)
Diameter Cast Founder

1

n/a

4-0-5

26⅜"

1924

John Taylor & Co.

2

n/a

4-3-0

28"

1924

John Taylor & Co.

3

5-2-10

5-1-11

30¼"

1863

George Mears & Co.

4

6-3-5

6-1-21

32½"

1729

Richard Phelps

5

8-2-10

8-1-6

36"

1610

Joseph Hatch

6

9-3-15

9-2-10

39"

1813

Thomas Mears II

7

14-1-0

13-3-9

43¼"

1610

Joseph Hatch

8

18-1-0

17-3-24

46½"

1610

Joseph Hatch

The 3rd was supplied in 1863 at 5-2-24.

1. (ornamental border)    1924    (ornamental border)

A THANK OFFERING TO ALMIGHTY GOD
FOR HAVING BROUGHT JOHN, GEMMA,
RAYMOND, & DENNIS LEES (SERVICE)
SAFELY   THROUGH   THE   GREAT   WAR

2. (ornamental border)    1924    (ornamental border)

RING IN THE CHRIST THAT IS TO BE

3. G. MEARS & CO FOUNDERS LONDON 1863
 
4. INTACTUM SILEO PERCUTE DULCE CANO  R : PHELPS FECIT 1729
 
5. ioseph   hatch   made   me   1610
 
6. IOHN RELF & I WIMSHURST CHURCHWARDENS. T. MEARS OF LONDON FECIT 1813
 
7.  
THOMAS FVSHEBackwardsN.jpg (750 bytes)DEBackwardsN.jpg (750 bytes) CW ¡

jhatch.jpg (1912 bytes)

1610 IOSEPH HATCH MADE ME
 
8.

WILLIAM HUBackwardsN.jpg (750 bytes)T CW

jhatch.jpg (1912 bytes)

1610 IOSEPH HATCH MADE ME
 
Interestingly the 3rd line on the treble was meant to read:

RAYMOND & DENNIS LEES (ALL SERVICE)

but when the bell came out of the mold it read:

RAYMOND & DENNIS  (ALL SERVICE)

Mr Lees was not pleased when he saw this so Taylors etched off (ALL and brazened on the letters LEES ( to get the desire result shown above. The result was very good and Mr Lees was pleased with the result.

Frequencies of main partials (Hertz)
Red = flat of true harmonic tuning; blue = sharp; green = optimum
Recorded Dickon Love

Bell

Hum

Prime

Tierce

Quint

Nominal

S'quint

O'nom.

8

176

334

399

 

660

978

1358

7

198

359

451

561

735

1087

1486

6

226

380

294

646

876

1234

1690

5

236

436

539

682

879

1299

1784

4

263

480

595

780

985

1474

2030

3

309

490

668

876

1111

1655

2286

2

313

621

741

935

1244

1856

2548

1

330

660

785

989

1318

1967

 

   
Frequencies in terms of note Frequencies in terms of relative intervals
from the tenor nominal (cents)
Bell Hum Prime Tierce Quint Nominal S'quint OctNom   Hum Prime Tierce Quint Nominal S'quint OctNom
8 F(0)+9 E(1)+20 G(1)+31   E(2)+1 B(2)-18 F(3)-50   -2292 -1180 -870   0 681 1250
7 G(0)+13 F(1)+45 A(1)+41 C#(2)+21 F#(2)-12 C#(3)-35 F#(3)+6   -2275 -1243 -847 -468 188 677 1218
6 A(0)+43 F#(1)+46 D(1)-1 E(2)-35 A(2)-9 Eb(3)-15 Ab(3)+29   -2348 -1445 -1892 -526 490 593 1138
5 Bb(0)+18 A(1)-18 C(2)+50 F(2)-43 A(2)-3 E(3)-26 A(3)+23   -2279 -1215 -847 -440 496 677 1226
4 C(1)+9 B(1)-49 D(2)+22 G(2)-10 B(2)-6 F#(3)-8 B(3)+47   -2285 -1244 -872 -404 694 698 1252
3 Eb(1)-15 B(1)-15 E(2)+22 A(2)-9 C#(3)+3 Ab(3)-7 D(4)-47   -2217 -1418 -881 -412 902 690 1250
2 Eb(1)+8 Eb(2)-3 F#(2)+1 Bb(2)+5 Eb(3)-1 Bb(3)-8 Eb(4)+41   -2392 -1203 -898 -494 1099 693 1241
1 E(1)-1 E(2)+2 G(2)+1 B(2)+1 E(3)-1 B(3)-8     -2399 -1197 -898 -497 1198 693  

Variations from established scales

Bell 

Cents from mean   Cents from tenor

 

Equal Temp.

 

Just Tuned

 

Equal Temp.

 

Just Tuned

 8

-18

 

-19

 

0

 

0

 7

-27

 

-34

 

-12

 

-16

 6

78

 

89

 

90

 

104

 5

-13

 

-16

 

-4

 

-2

 4

-13

 

-21

 

-6

 

-8

 3

-2

 

8

 

2

 

18

 2

-3

 

2

 

-1

 

11

 1

-1

 

-9

 

-2

 

-2

 

1610

4 bells cast by Joseph Hatch.

1729

2nd (of 6) cast by Richard Phelps.

1813

4th recast by Thomas Mears.

1863

Treble cast by George Mears.

1883

The tower was equiped with a clock and chimes at a cost of two hundred guineas.

1924

It was reported that the old frame was a strange wooden affair. Bells 5,1,2,3 hung across the centre of the tower in a straight line swinging N/S. On the north side hung the 4th and on the south side the tenor. It did give a clockwise fall of ropes but it could not have been called a circle.

9th Feb. The Rochester DAC approved plans for rehanging the bells in a new frame. They very earnestly wished that great care be taken of the old bells of 1610. "They earnestly hope that the canons of the bells shall not be cut off & they would express the hope that if posssible you would have a timber frame - oak or teak - instead of the proposed metal one, which generally they disapprove of".
18th Mar. A faculty was granted for rehanging the bells in a new cast iron frame for eight bells, the three 1610 bells to have canon-retaining headstocks.
May Bells removed from the tower. John Taylor & Co tuned them and refitted them.
7th Sept. 2 trebles were ordered from Taylor's to make the ring up to 8 bells.
1925 7th Jan. The Tower Captain wrote to Taylor's to hope that the bells would soon be back, and that Horsmonden "wanted doing" and that one of the bells at Lamberhurst had fallen out of its framework.
3rd Feb. The parish wrote to Taylors, "How pleased everyone is with the bells. A Rochester ringer had said that they ring as well if not better than the recently hung Cathedral bells."
1932 11th Nov. 7th headstock cracked. It was "repaired" by Taylors who reduced their price, after a row, to £20.
1958 13th Oct. 7th headstock (steel) broke across middle. Colin Tester ordered a new cast iron canon retaining stock which was installed the following February by Taylors (£80).
1975 15th Mar. Tenor headstock broke. Tom Sone advised a new one, like the 7th, and Taylors installed it later in November for £422.

The 1924 treble bell.

 

A view of the belfry, with the tenor in the foreground.

 

The tenor bell. Note the ornamental canons and canon-retaining headstock. The bells is a good casting dated 1610.
   
A plaque recording the presentation of the clock and chimes. It is hung over the door to the belfry.